Firstly, let’s take a look at those singles:
‘I Got You’ was the first single off the album. Drenched with “new wave”
sensibilities, combining a polished lyrical hook with spacey keyboards, it was
a major smash on these shores and also went on to achieve minor hit status on
the international stage.
‘I Hope I Never’ is often cited as Tim Finn’s finest moment, a haunting
yet strangely compelling heart-on-sleeve love song of epic proportions. While
it didn’t quite have the crossover appeal of ‘I Got You’ and charted only
briefly at the time, ‘I Hope I Never’ has subsequently flowered over time to
become one of the Enz’ best known songs.
However, for me, ‘Poor Boy’ stands-out as the
album’s best track, and quite probably the highlight of the band’s long career.
Three and a half minutes of pure pop bliss. All chiming synth and washes of
guitar set to an electronic pulse, ‘Poor Boy’ tells the tale of a young man
bemoaning his inability to connect with an imaginary long-distance lover (in
this case, an inter-planetary one!). It works on several levels, not least the
appeal it holds for any disenfranchised pubescent youth struggling to get to
grips with romance, or dare I say it, for any young man toiling with the
radically different mindset of the opposite sex. (Yes, I was briefly that young
man) …
"My love is alien, I picked her up by chance, she speaks to me in ultra-high
frequency. The radio band of gold, gonna listen til I grow old. What more can a
poor boy do? …”
In these modern days of virtual relationships, social media connections,
and widespread internet-dating, connecting with a long distance lover via radio
or cellular frequency, or via cable, may not seem too far-fetched at all. But
back in the pre-cyber days of 1980, back when Bill Gates was just another
annoying speccy playground nerd, it seemed like a preposterous notion.
(And besides, be careful what you wish for …)
Those three tracks are easily the best of a pretty decent bunch, eleven
tracks in all, including a couple of atmospheric instrumentals – ‘Double Happy’
and ‘The Choral Sea’.
The album opener ‘Shark Attack’ initially sets the tone nicely. An
up-tempo track with a mix of breakneck percussion, quirky piano, and swirling
guitars, it rather humorously explores the theme of bad relationships, and
draws a parallel between matters of the heart and being mauled by a Great
White. For all of the spruce applied, Split Enz clearly hadn’t lost their sense
of humour. Or indeed, their sense of reality!
Themes of youthful alienation are all over True Colours, with tunes like
‘What’s The Matter With You’ (“you look down on everything we do”), ‘Missing
Person’ (“I walk home the wrong way, hoping I’ll go astray”), and ‘Nobody Takes
Me Seriously’ taking pride of place among the non-singles.
The two remaining tracks – ‘I Wouldn’t Dream Of It’ and ‘How Can I
Resist Her’ – do veer dangerously in the direction of the dreaded “filler” tag,
but overall, True Colours captures Split Enz at something close to a peak, some
eight years and five albums into a prolific and generally much underrated
career.
Split Enz were initially thought of as arty/student prog-rockers whose
theatrical outfits and face paint made louder statements than their music, so
after several years skirting around the fringes of orthodox pop, True Colours
was the album which finally gave them widespread credibility based on their
music alone.
Ultimately, when viewing the bigger picture, globally, Split Enz will
just as likely be recalled as the band which launched the career of one of NZ’s
best loved musical sons, Neil Finn – who joined older brother Tim in the band
prior to the Frenzy album. Finn would, of course, go on to earn much
international acclaim as the main man behind Crowded House. That link, however
valid, does seem a touch unfair – for me, Split Enz stand as one of NZ music’s
most innovative and influential bands, and much of their early Eighties output
was way better than any of the conventional pop mush eventually churned out by the
far more globally popular Crowded House.
You just need to listen to True Colours for proof of that.
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